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Horror Writers 2016 Flash Fiction Contest Winner: “Christmas Blues”, by E. Reyes

Christmas Blues

by E. Reyes

 

Barry felt he had to do it, but he was scared to death about the deadline that would ensue. The man in the black suit told him to think about it for a minute or two and either walk away or make a deal. The sun had just fallen behind the woods’ skeletal arms that touched the cold, crisp air. The sky was a cool purple and blue. Stars were beginning to shimmer enough to say hello. Dusk was here.

This place was miles away from Barry’s home. He told his family he was going on a trip with his friend Mark to do some yard work for folks that lived in a mansion. He promised he would come back with money. He told his kids they’d get a Christmas tree and decorations for their home. It was a lie, but a small one. Well, not really. This lie would haunt him for the rest of his days if he decided to make the deal.

Barry closed his eyes outside of a small local bar in a rural area and paced back and forth. Christmas music played loudly for the drunkards inside.

Christmas. Christmas, he thought.

His wife, Erica, needed clothes, Tommy needed clothes, Beth needed things also. It’s the most wonderful time of the year. For the rich and upper middle class, it is indeed a wonderful time. Christmas trees, expensive gifts tucked underneath, honey hams, booze, egg nog, cookies, ugly sweaters, they can all afford to experience a wonderful time. Barry was far from that.

You’re thirty years-old. He will want to see you in twenty years. Twenty isn’t enough. You will miss out on your wife, your kids! Will they be okay? Of course they will. He said they will. And if things go as they should, they’ll be financially set.

Barry shook his head slowly and kept walking in front of the bar.

No one has called you for a job—it’s been three months! And besides that, your paintings aren’t selling, the rent will be due in three weeks, there’s barely any groceries…

Barry opened his eyes. He looked toward the path in front of the bar that led to the crossroads that famous jazz musicians and desperate men had walked before him. He saw the man in the black suit appear in the middle of the crossroads.

It was time.

Barry walked to him.

“Merry Christmas,” said Barry to himself.

E. Reyes is the author of Short Tales of Horror, available on Amazon. He lives in Arizona with his fiance and three children.

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On Writing Posts

7 Ways to Lose a Writing Contest

 

It’s done. You’ve finished your beautiful, haunting work of art and for once, you’re happy with the result. You’re confident enough to not only share your story, but to put it up against countless others in a competition to see who has the best storytelling skills. You decide to enter a writing contest.

Entering a writing contest raises questions: How do I stand out among the sea of entries? What are the judges looking for? Will they even look at my entry?

I recently judged submissions for Horror Writers’ first flash fiction contest, and had the opportunity to see what it was like on the other side of the table. Within hours of opening for submissions, my inbox was flooded with entries from both new and published authors, all with a story to tell. I reached out to a few friends who served as judges for writing contests in the past and learned how to make my task easier. Now that the contest is over and the winner has been chosen, I can share some tips with you.

Any contest judge or slush reader will tell you: when we’re sitting under a mountain of submissions and only have a few open slots for winners, we are reading to reject.

I’ll say that again: we are reading to reject.

Writing Contest Tip for Horror Writers

You may have a stellar story that is sure to keep readers up at night, but if you don’t present that story properly, the judge won’t look past the title. Here are 7 ways to lose a writing contest:

1. Don’t bother with proofreading. If you’re of the mind that true art is effortless and copyeditors are for losers, then feel free to send in that rough draft as a final submission. Judges don’t want to spend their time correcting basic grammatical errors in order to make your story readable. A sloppy story WILL get passed over for a weaker story that’s more polished and tightly written.

2. Don’t bother with following submission guidelines. Format predicts quality, straight up. When a publication sets forth rules on how your email should be titled, story format, and so forth, they aren’t just trying to make their job easier (though that is part of it). They are checking to see who can follow basic instructions. If I decree that email submissions look like this: CONTEST SUBMISSION: [TITLE]-[WORDCOUNT], and I get something titled “Hey, here’s my story I hope you like it”…I’m not even going to open the email. In our last flash fiction contest, I threw out 3 submissions for this exact reason.

3. Feel free to ignore word count limits. Go ahead and send in that 4,500 word masterpiece to that microfiction competition. The judge will hate you with the fire of a thousand suns and will make a mental note (and possibly a physical one) to never support your work in any way, ever.

4. Start your story slowly. Judges often pass the biggest judgment on the first page of a piece. If we don’t care about what happens next, we stop there. For flash fiction, it’s the first paragraph. For microfiction, it’s the first sentence. Our inbox is full of more submissions, and we are looking to whittle down the submisssion to a small group of finalists. A quick way to weed out the weakest entries is to discard any story where the beginning fails to make us want to continue. So, if you’re trying to avoid that lucrative contest prize, don’t draw your reader in or begin with a bang.

5. Keep your character as flat as possible. Don’t worry about developing them or making your reader care about them. It makes it easier for the contest judge to check out of your story early on, and discard your entry in favor of one that features a compelling protagonist.

6. Hit your reader with the same thing they’ve read a thousand times before. That plot twist you saw in The 6th Sense is not only a crazy turn of events, it’s also a great way to guarantee that your submission gets tossed right into the trash folder.

7. Leave your reader hanging. Psst: We can tell when you got dangerously close to hitting your word count limit and panicked. Maybe you spent so much time on character development (see #5) that you ran out of room in the end. Whatever the reason, your judge will be frustrated that they invested in the story only to get slapped with an unsatisfactory resolution. They’ll tell their friends. They’ll tell their cat. They’ll also hit “delete” on your submission.

In a writing contest, it’s not enough to have a really great story concept. The sheer volume of entries limits the amount of time that each judge can dedicate towards absorbing your work. As a result, it becomes important that you not only polish your work and keep it compelling, but you must prove that you can follow simple instructions. These are the best ways to guarantee that your story will get the attention it deserves.

Have you committed any of these contest-writing sins? Let us know in the comments below.

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Announcing the Horror Writers Flash Fiction 2016 Contest Winner!

We want to send a big thank you to everyone who participated in our first Flash Fiction Contest and helped make it a success!

And a special congratulations to E. Reyes, the winner of the Scrivener Grand Prize in our Flash Fiction contest!. His work, “Christmas Blues” stood out among the 50+ entries, and has been crowned the winner. Be on the lookout for his winning story next month, along with a Featured Author interview. Enjoy your prize, E. Reyes!

 

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Review: The Snare

The Snare
Director: C.A. Cooper
Starring: Eaoifa Forward, Dan Paton, Rachel Warren
Production Company: Uncork’d Entertainment
Runtime: 90 minutes
Rating: Not Rated
Watch: In theaters and On Demand Jan. 6th, 2017
Summary: Three friends head to the seafront for a drunken weekend, only to be imprisoned on the top floor of their holiday apartment by a malevolent paranormal force.

 

The Snare Movie Review

 

When Alice followed a rabbit and descended into Wonderland, she had no idea what she was in for, and emerged with a new sense of self, for better or worse. Such is the journey that our Alice embarks upon in C.A. Cooper’s psychological horror film, The Snare. The film locks us in with three mates as they devolve into madness and mayhem. Tangible characters, no-slack tension, and beautiful composition with a memorable score culminate in 90 minutes of disorienting dread.

The opening credits centering around a decaying white rabbit give you a stark picture of what you’re in for. Parallels with Alice in Wonderland abound in The Snare, including themes of maturity and the loss of innocence. It’s no coincidence that the protagonists’ name in The Snare is Alice. She’s a young woman who lives with her widower father, with whom she has a testy relationship. At the start of the movie, he enters her room while she’s changing and makes no effort to accommodate her sense of privacy or her obvious discomfort at his presence. She keeps a journal that she closely guards at all times, especially from her father. She also still keeps a childhood teddy bear, which amplifies a running subtext: Alice is a growing young woman who, in many ways, is still a child grappling with her lost innocence. Two earth-shattering events occurred early in Alice’s life that culminated in that lost innocence: the death of her mother, and another experience that can’t be explicitly mentioned without spoilers. These events form the earwig that eats away at Alice’s psyche throughout the film, causing her to question everything from her identity to her memory to the fabric of reality itself. Alice is an incredibly well-developed but reserved character; only her most relevant backstory is revealed, and only when absolutely necessary.

 

The Snare Movie Review

 

Alice and two of her friends, Carl and Liz, head up to a fully-furnished but unoccupied seaside flat for a quiet weekend. From the moment they arrive, Tim Johnson’s haunting score sets the tone and establishes the apartment building as more foreboding than its innocuous exterior suggests. Unfortunately, the beautiful soundtrack felt forced in its application at times, showing up before anything happens in many scenes. While the low, rumbling tones were effective in building dread, the filmmakers utilized the music as a way to prompt tension, rather than amplify it. It was noticeable and detracted from the well-built atmosphere, and could’ve been avoided entirely by simply waiting a few seconds before telling the audience that they should be scared.

Eaoifa Forward, Dan Paton, Rachel Warren are in excellent form as Alice, Carl, and Liz, respectively. From the very beginning, Liz is an antithesis of Alice. She’s a free-wheeling party girl who has no problem breaking the rules and cozying up with her boyfriend, Carl. Carl has a tense relationship with Alice immediately, which gets progressively worse once they arrive at the flat. When the trio realizes that they are stuck there and no one is coming for them, the tensions rise exponentially with each passing day. Food supply runs low. The water cuts off. Noises are heard. Things are seen. All the while, tempers are getting shorter and shorter while our Alice has longer and longer periods to be alone with her thoughts, which isn’t good.

 

The Snare Movie Review

 

The Snare has been compared to Evil Dead, but it’s far closer to Kubrick’s The Shining, in spirit and in craft. Cooper creates an atmosphere echoing that of The Overlook Hotel, only allowing the characters and the audience to have a vague sense of time via the weather, as viewed through the balcony. Isolation and entrapment are the motifs of the day; the film is filled with close, intimate shots of Alice that isolate her from her peers, and intricate staging that frames her in enclosed spaces. She is the fly, and the building has her in its web. For a film that doesn’t have the outright terror of a single boogeyman chasing the protagonist around, The Snare keeps a strong sense of dread throughout, and builds tension well. Jump scares are used sparingly and to great effect, as a tension-reliever rather than as a crutch. I found a special pleasure in seeing one of Alice’s horrifying nighttime visions, as it was clearly inspired by the crawling ghoul of Japanese horror, right down to the creepy death rattle.

The Snare is a thrilling reminder that good horror can be original and deep. Tumble down the rabbit hole and escape from the countless franchise remakes and reboots. Let The Snare give you a bit of Cheshire Cat wisdom, which happens to be the horror genre’s utmost maxim: “We’re all mad here.”

Horror Writer’s Rating: 4/5 stars.
The Snare is available in theaters and on demand January 6th, 2017.

 

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Micky Neilson to Pen Comic Adaptation of The Howling

How many werewolf horror fans do we have in the audience today? If you are, you know and have seen Joe Dante’s The Howling. It’s iconic, it’s outstanding, and it’s getting adapted into comic form. Space Goat will release The Howling: Revenge of the Werewolf Queen in the summer of 2017, written by bestselling author Micky Neilson.

 

The Howling Adapted Into Comic Book Series

 

A longtime veteran of Blizzard Entertainment, Micky Neilson has plenty of experience with the medium, having written Ashbringer, a Warcraft graphic novel that made the NYT Bestseller list. The werewolf subgenre isn’t new to him, either; a few months back, we raved and howled over his horror novel The Turning, and are currently snuggling up with its recently published prequel, Whisper Lake. If anyone can handle the four-part Howling miniseries which begins where the 1981 film ended, it’s Neilson. Add in artwork from Jason Johnson of Wetworks fame, and the bar is set gloriously high for a solid series.

 

Howling Comic