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Dusty's Corner Movie Reviews

The Barn: Movie Review

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Synopsis:
On Halloween, 1989, six high school seniors  – Sam, Josh, Michelle, Chris, Nikki and Russell – head out from their small town of Helen’s Valley to see their favorite band (the wonderfully named Demon Inferno). On the way, they stop off in Wheary Falls and awaken three murderous, flesh-eating demons. To stop the demons, they may have to follow Sam’s roundly mocked Rules of Halloween.

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My thoughts:
The first thing that’s important to know about this film is that it is designed to be a throwback to 80s horror films. That’s evident from the setting to the music to the grainy film. If you watch the trailer, it’s perfectly clear what kind of movie this is. Because of that, I went in knowing exactly what kind of movie I was going to be watching.

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I already started with the big stuff in the synopsis, but let’s flesh it out a little. The movie starts in Wheary Falls in 1959. (Both Wheary Falls and Helen’s Valley are fictional towns and we’re never told what state they are in. But, since the movie was filmed in Pennsylvania, let’s assume we’re dealing with two rural Pennsylvania towns.) We learn of the legend of The Barn: a nondescript red barn that holds three demons. If you knock on the door on Halloween and say, “Trick or treat,” the demons will emerge. It’s like Bloody Mary or Candyman, except you have to deal with three of them and they love eating flesh. They adore it.

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Anyway, two kids sneak out after church to try it out. Sweet little Shirley gets a sharp instrument through her head, and George takes off running.

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Let’s meet our demons – complete with their modus operandi – courtesy of Sam.

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The Boogeyman: “Wants to crack your back, cut you into pieces to carry in his sack.”

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Hallowed Jack: “Wants to carve out your head, slash you with his vines until you’re dead.”

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The Candycorn Scarecrow: “If you get scared, don’t you cry, or The Candycorn Scarecrow will surely eat your eyes.”

The design of the demons was incredible. I was a particularly huge fan of the candles inside Hallowed Jack’s pumpkin head and the rotted candy corn teeth of The Candycorn Scarecrow, but they all looked great. It was a bit odd to feel nostalgia over something in a brand new movie, yet here we are.
Actually, that last statement could apply to this entire movie. I felt a massive wave of nostalgia for this entire movie.

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We jump forward into 1989, when our six heroes find themselves in Wheary Falls on Halloween night. Once again the demons are awakened. Sam – our main character – has a set of rules that need to be followed on Halloween. He explains that these rules have been culled from a variety of traditions he had read about in books. He lays these out while sitting at a campfire outside The Barn, and, though his friends make fun of him at the time, we know they’re going to need these rules in order to survive.

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Sam is a high school senior who is perceived to love Halloween a bit too much, both by the adults in his town and by his friends. To outsiders, it appears as though he has a hard time letting go of his childhood love of Halloween, but it’s more than that. He believes that Halloween traditions go deeper than just, “kids trick or treat because they want candy.” He believes that these traditions were put in place to protect us. He has taken these traditions and broken them down into 6 Halloween rules. He believes that each of these rules is a sort of contract that we must honor. If the rules are broken, bad things can happen.

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Because this is a horror movie – more specifically an 80s influenced slasher – we know the rules won’t be followed by everyone, which will lead to a lot of killing. It starts off with fairly typical slasher fare; after summoning the demons – but before any of the characters actually see them – the friends separate a bit, allowing them to be picked off one-by-one without alerting the others. After the first few kills, all hell breaks loose and the fun really starts.

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In a particularly fun scene, the three demons lay waste to a room full of people enjoying the rockabilly stylings of The Legendary Hucklebucks. The Hucklebucks themselves are killed, then the blood really flies as all in attendance are laid to waste. Heads are crushed, faces are eaten, throats are slit, eyes are popped out a la Friday the 13th Part 3, faces are melted via boiling water, limbs are ripped off with abandon, and so much more. And it’s all set to a rockabilly soundtrack. The demons really get creative with their killing, and it’s beautiful. It’s a bloody, gleeful scene, and I won’t deny that I watched the entire thing with a grin on my face.

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In fact, “gleeful” is a good way to describe this movie. It’s an homage to 80s slasher/monster movies without a hint of irony. This is not done while winking at the camera. This is not a parody, and it’s certainly not meant as a deconstruction of the genre. This was a movie made by a guy who grew up loving that era of horror and desperately wanted to make a movie of his own that would fit in with the films of that time. Justin Seaman – the writer/director – came up with the idea for The Barn when he was 8 years old, and that shows here. The youthful exuberance and love for all things Halloweeny and gory is on full display.

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If you’ve ever wanted a full movie that captures the atmosphere of the trick or treating scene in Halloween III: Season of the Witch, this is it. It perfectly captures the spirit of Halloween, and will surely find its way into my yearly Halloween movie rotation. I love this movie completely.

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The young cast is great. The cameos from Linnea Quigley and Ari Lehman were great. The entire movie is an absolute blast. Make yourself a bowl of popcorn, throw this movie on and get ready for a fun night.

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Rating: 5/5

You can buy DVD for The Barn – as well as a ton of other great stuff – on their merch page.

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Archives Articles On Writing

50+ Essential Subreddits for Horror Writers

Most folks today are at least aware of Reddit. “The front page of the Internet” is both an endless source of information, and a notorious time-waster. You can find whole communities dedicated to even the tiniest of niches, and it turns out that horror writers are no exception.

When we previously posted a list of 10 great online resources for horror writers, Reddit was originally at the top of that list. However, I found that it wasn’t enough to drop a link to the home page of the website; there are many, many nooks and crannies to search through. Some subreddits only have 4 subscribers, or haven’t posted anything new in months. Those places aren’t particularly helpful to those of us working on our latest story, so I’ve rounded up 63 subreddits that have a fair following and an active community.

Whether you’re looking for boogeyman inspiration or a good conversation on the common themes in Stephen King’s works, these horror havens are a great way to enhance the quality of your Reddit newsfeed.

 

*Note: Always check the sidebar in each subreddit for their posting guidelines, especially in the Places to Post Your Stories section. If you get banned for violating the rules, no one will see your literary masterpiece!*

Lit & Authors
r/StephenKing
r/Lovecraft
r/CliveBarker
r/HorrorLit

Art & Inspiration
r/ImaginaryHorrors
r/ImaginaryCarnage
r/ImaginaryDemons
r/ImaginaryBehemoths
r/ImaginaryBeasts
r/ImaginaryMonsters
r/ImaginaryWerewolves
r/ImaginaryLeviathans
r/creepy
r/UnresolvedMysteries
r/oldschoolcreepy
r/serialkillers
r/skulls
r/paranormal
r/CemeteryPorn
r/unnerving
r/EvilBuildings
r/TheDepthsBelow

Cinematic Horror
r/Horror
r/ClassicHorror
r/Horror_Filmmakers
r/UMCU (Universal Monsters Cinematic Universe)
Places To Post Your Stories
r/NoSleep
r/TheChills
r/TrueScaryStories
r/WritersOfHorror
r/Horror_Stories
r/Creepypasta
r/UrbanMyths
r/ScaredShitless
r/ShortHorror
r/ShortScaryStories
r/TheNightmareFactory
r/WelcomeToHell
r/DarkTales
r/OneParagraph
r/FlashFiction
Specific Monsters
r/Skinwalkers
r/Vampires
r/Werewolves
r/Demons
r/OuijaBoards
r/Ghosts
r/Zombies
r/Cthulhu

On Writing
r/Writing
r/WritingHub
r/Screenwriting
r/ShutupAndWrite
r/KeepWriting
r/WriterResearch
r/ShortStoriesCritique
r/LibraryOfShadows
r/WritersOfHorror
r/Fanfiction
r/HighSchoolWriters
r/WritingPrompts
r/Worldbuilding
r/SelfPublish

Categories
Archives Movie Reviews Posts

Dinner: Movie Review

Dinner is a short film written and directed by the very talented Aleksandra Svetlichnaya.

It’s fun and short and you can watch the entire thing below.  Make sure you give her a follow on Twitter as well.

Dinner follows Dylan as she walks through a deserted town filled with chain-link fences and burned out buildings.  She’s on her way to a date, but there may be something sinister lurking in the shadows.  Every glance over her shoulder could reveal something dark advancing towards her.  Every turn down an abandoned street could be filled with monsters.

I don’t want to give away too much – clocking in at 12 minutes, I could spoil the twists and turns simply by synopsizing it – so I’ll stop.

I really enjoyed this short film.  The term “no budget” was thrown out by Aleksandra, and that’s exactly true, but the lack of a budget doesn’t mean there’s a lack of style or substance.  The opening scene of Dylan walking down the street – in glorious black and white, no less – is stunning, creepy and filled with tension.
The lack of budget doesn’t even really show up with the make-up.  The monsters look great.
It does show up a bit in the fight scenes, but that’s because “no budget” means it’s hard to make it look like you’re burying an axe in someone’s skull without actually doing it.  The fact that some of these actors weren’t willing to sacrifice their lives for the sake of a movie really makes me question their commitment.

Dinner is a really fun short film, featuring a leading lady I would gladly have on my side in any kind of scrap.  And by “scrap” I mean “me hiding behind something while she kicks everyone in the face and tells me when it’s safe to come out.”  Man, Dylan is the best.

Watch this movie.

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Archives Book Reviews

Review: The Turning

Note: I received a free copy of this book in exchange for an honest review.

The werewolf is one of the most tragic monsters in literary history. Their condition is a curse, a constant struggle to deal with and suppress their primitive nature. Once the moon turns man to beast, his hunger is voracious, his lust is insatiable, and his violence is brutal. As humans, acting upon these urges has been generally frowned upon and sometimes shunned in societies both past and present. But we are wild creatures; always have been. We’ve hunted and gathered, we’ve been fruitful and multiplied, and clawed our way to the top tier of the food chain to ensure the survival and thriving of our species. Unfortunately, we’ve tamed ourselves in the past few centuries. The domestication of man has come at a cost: the suppression of our wildness. The werewolf represents our most basic instincts: consume, copulate, kill. Wolf lore has portrayed this beast as representing society’s struggle with our animal nature, and our attempts (and failures) to hide what we really are.

The Turning, by Micky Neilson, is a howling homage to the awesome werewolf lore we all grew up on. Neilson assumes that you’re already familiar with the old-school rules (the cursed is at the mercy of the moon, has superhuman strength when turned, can be killed by silver bullets, etc.) and goes a step further by adding new twists, like an anaphylactic-like reaction to colloidal silver. The story follows Brandon Frye as he deals with his curse after being bitten. Brandon does what most would do, once bitten: tries to avoid hurting others, by any means necessary. For him, this means going off the grid, closing himself off, and taking pills to suppress his more primal symptoms. In his quest of self-isolation, he boards a cruise ship to Alaska, where he meets the tame and sensible Ginny. Ginny is a passive player in her life and rarely listens to her gut, until she takes a chance on the handsome, masculine stranger with a mysterious past. Their romance is sudden, passionate, and sexy as hell. Neilson does not shy away from sexual themes, and is not afraid to explore the concept of sexuality as a repressed primal impulse through Ginny and Brandon’s relationship. Their graphic trysts are sure to cause a few raised eyebrows and earmarked pages for readers.

I gotta be real, I re-read the juicy parts a few times. Don’t judge me.

As Brandon and Ginny enjoy each others company on the high seas, a hunter is in pursuit. Brandon is the target of a different kind of predator, who is part of something big; something foreboding. Despite being a mortal human, this predator is a formidable foe for our lycanthropic protagonist. Alexander stalks his prey methodically, enjoying the thrill of the hunt. Unlike Brandon, Alexander is conscious of his primal “needs”, and revels in satisfying his impulses, to the point of getting deep,depraved gratification from slowly extracting life from others.

I want to take a minute to talk about how much I loved this villain. Alexander made me squirm at his sadism, and cry out whenever anyone crossed his path. One of the scenes that stood out for me was when Alexander was having drinks with a woman whom he was using for information about his prey. He never referred to her as a woman, or even human. He called her, “the cow”, “the pachyderm”, animal terms befitting the subhuman she was, in his eyes. The author put some serious work into this character (as he did with all characters in this story, even the minor ones), and it shows. He serves as a revolting antithesis to Brandon, and I really, really wanted to see him get his just desserts. This guy was a real piece of work.

I can’t say much more about the plot without spoiling things for the reader, but I will say that the climax was action-packed, and the ending made me gasp, “Dude, NO WAY!”

The only negative comment I have isn’t really all that negative; the book ended too soon. I need more. Fingers crossed for a series!

TL;DR: If you are a fan of the old-school werewolf movies like An American Werewolf in London or Silver Bullet, or if you just need a solid supernatural page-turner that’ll make you laugh out loud and hit you with some serious feels, I’d highly recommend that you pick up this book on Amazon. Snuggle in on the night of the next full moon, and enjoy the ride…

Categories
Archives Movie Reviews

10 Cloverfield Lane: Movie Review

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Synopsis:
Michelle is run off the road and awakens in a bunker with her leg chained to the wall.  She was “saved” by Howard, a large man who is a terrible combination of socially awkward and not-so-vaguely threatening.  He explains that there has been an attack and the air outside is contaminated.  Do we believe him, or is that just something he said so that she wouldn’t try to escape from the bunker?
There is also another man in the bunker by the name of Emmett, who seems like a good guy and believes Howard, although he thinks some of his theories of what exactly is happening are a little nuts.  Aliens?  That’s crazy.  YOU’RE crazy.

Thoughts:
I set up quite a bit in the synopsis, so let’s go off of that.
This movie moves in waves.  Michelle is our proxy.  Do we believe Howard?  Is there really something going on outside?  We find out pretty early on that there is, indeed, something contaminating the air.  So now we kind of trust Howard…right?  Maybe?  Just when I started to feel like things were going well, I began to panic because I knew it wasn’t going to be quite that easy.  And I was right.  Man, I’m smart.  Why am I so smart?

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I can’t really dig too deep into this movie without giving stuff away, and that would be a real shame.  There are a lot of twists and turns here that really benefit from going in relatively cold.

This is a small movie.  We basically have three characters: Michelle (Mary Elizabeth Winstead), Howard (John Goodman) and Emmett (John Gallagher Jr.).  With a movie this small, it’s critical that the actors all bring their A game, and they certainly did that.  All the characters were extremely well-developed and the actors knocked it out of the park.  Goodman was the standout – I’ve never seen him in a role quite like this – but Winstead and Gallagher were incredible as well.  Stellar performances from everyone.

10 cloverfield - michelle & emmettWhen Prometheus came out (which I enjoyed…shut-up) I loved how it was a movie that existed in the Alien universe, yet was a completely different story.  I never put much thought into the fact that, while these major events were happening in this movie, there were a bunch of other events happening, either before or after, that may-or-may-not be closely related.  The comic series Gotham Central does a great job with this in terms of the DC Universe.  The events of Cloverfield were not held to Manhattan, and this gives us a chance to see how other areas were affected.  It’s a great concept and terrific execution.

10 cloverfield - howardThis was a good movie.  I liked it.  Please watch it.

Rating: 5/5

Bradley Cooper is listed as being in this, but you never see him.  He’s merely the voice on the other end of the phone.  Which is perfect.  He has a face for radio.  (I kid, I kid.  You’re very handsome.  Please call me.)